Database

The collection brings together records of historical performances and their related people, places, organisations, and practices, offering insights into the vibrant and diverse cultural landscapes of Asia’s archipelagic regions.

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Showing 22 of 22 records
“Piano Recital by Renee Florigny, Victoria Memorial Hall, June 26, 1935”
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Catching an Heiress, Antony and Cleopatra, and Dead Shot – 1844 – San Souci Theatre
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Performance
Entertainment by the Men of H. M. S. “Champion.”
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Performance
Exhibition of Gymnastic, Athletics, and Other Exercises
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Performance
Gennfifah
Performance
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Performance
Heiyu Honglian (黑獄紅蓮)
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Performance
John Bull or The Englishman’s Fireside, and “Raising the Wind”
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Performance
Macbeth and The Dead Shot
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Performance
Meng Hou Zhong (夢後鐘)
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Merchant of Venice, The Chouch and Crow to roost are gone, and The Valet de Sham – 1844 – Sans Souci Theatre
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Performance
Prince Sabar
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Performance
Seti Zubeidah Part 4 – 1923 – Theatre Royal
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Performance
Su Wu Mu Yang and Liu Xi Fang Zi (《蘇武牧羊》、《劉錫放子》) – 1920 – Guangfuju Troupe
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Performance
The Angel of The Attic, A Sketch, and Hunting a Turtle – 1844 –  Sans Souci Theatre
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Performance
The Bath Road, Bachelor’s Buttons, and Bombastes Furioso – 1844 – Sans Souci Theatre
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Performance
The Sentinel and Catching an Heiress – 1844
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Performance
The Venice Preserved – 1844 – Theatre Royal
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Performance
Twelve Precisely, The Valet De Sham, and The Dead Shot – 1844 – San Souci Theatre
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Performance
Venice Preserved and The Sentinel – 1844 – Theatre Royal
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Performance
Wangyun Xian Diaochan and Fengyiting Su Ku (《王允獻貂蟬》、《鳳儀亭訴苦》)  – 1920 – Guangfuju Troupe
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Performance
Xi Peng Ji Zhang and Ping Gui Bie Yao (《西蓬擊掌》、《平貴別窯》) – 1920 – Guangfuju Troupe
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Performance
Xiongfei jiangjun zhan si liuhua ta (熊飛將軍戰死榴花塔)
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Performance
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