About
Active Period
—
Genre
Comedy, English theatre
Subgenre
—
Geographic Location
—
About
‘VENICE PRESERVED.
Dramatis Personae.
Duke of Venice……Folair
Priuli……Kenwig.
Bedamor……Edward.
Jaffier……Shylock.
Pierre……Lenville.
Renault……Falstaff.
Durand……Glavonelly.
Captain of the Guard……Hector.
Officer……Thomas.
Executioner……An Amateur.
Conspirators……Amateurs.
Belvidera……Mrs Deacle.
To conclude with the laughable farce of THE SENTINEL,
Dramatis Personae.
King Frederick of Prussia……Kenwig.
Prince Frederick……Hector Timid.
Baron Vonderbushel……Smatter.
Schloppaen……Wigler.
Officers……Amateurs.
Linda……Mrs Deacle.’
Genre
Comedy, English theatre
Language
English
Tour (isPartOf)
–
Production (isPartOf)
–
Festival (isPartOf)
–
Ritual (hasRitual)
–
Showtimes and Venues
| Date | Time | Frequency | Venue |
|---|---|---|---|
| From 02-Sep-1844 to 02-Sep-1844 | From 19:00 | – | – |
Schedule
| Running Order | Schedule Item | Type | Date and Time |
|---|---|---|---|
| – | – | – |
Person and Troupe
Performer (isPerformedBy)
| Name | Type | Role in Performance |
|---|---|---|
| Mrs Deacle | Person | Actor – Belvidera; Linda |
Collaboration (hasCollaboration)
| Performer (collaborateWith) | Purpose |
|---|---|
| – |
Support (hasSupport)
| Supporter Name | Type of Support | Support Description |
|---|---|---|
| No support information recorded. | ||
Theme and Style
Theme
–
Artistic Style
–
Performance Elements
Textual Object (hasElement)
–
Symbolic Object (hasElement)
–
Staging (hasElement)
–
Music (hasElement)
–
Movement and Gesture (hasElement)
–
System (hasElement)
–
Experience (hasInfluence)
–
Context
Context Description
–
Evolution (affects)
–
Media
No media recorded.
Sources
- The Singapore Free Press and Mercantile Advertiser, 29 August 1844, Page 2. https://eresources.nlb.gov.sg/newspapers/Digitised/Article/singfreepressa18440829-1.2.12.9
- Review: The Singapore Free Press and Mercantile Advertiser, 5 September 1844, Page 3. https://eresources.nlb.gov.sg/newspapers/Digitised/Article/singfreepressa18440905-1.2.12.14
Contributor
Last Updated on:
January 23, 2026 at 4:00 pm
Contributors:
Alvin Lim
To Cite:
, and Lim, Alvin Eng HuiAlvin Eng Hui Lim.
2026. “Venice Preserved and The Sentinel – 1844 – Theatre Royal”. In Performing Archipelagos, edited by Kyueun Kim, Alvin Eng Hui Lim and Hedren Wai Yuan Sum. Singapore: National University of Singapore.
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Tour
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Colonial and Empire Networks
Theatre
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Troupe
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
1959–1963: Singapore Self-Governance and Malaya Independence
Up till 1895: British Colonial Consolidation
Festival
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
Up till 1895: British Colonial Consolidation
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Support
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
1911–1912: Xinhai Revolution