About
Active Period
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Genre
Subgenre
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Geographic Location
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“New Sai Le Opera’s Nanyang Tour”, “Xin Sai Le’s Malaya Circuit”, “新赛乐东南亚巡演”
About
Time Period
Tour Type
Routes
| Departure Date | From | Arrival Date | To | Via |
|---|---|---|---|---|
| No routes information recorded. | ||||
Support (hasSupport)
| Supporter Name | Type of Support | Support Description |
|---|---|---|
| Individual |
A lover of Cantonese opera who provided performance spaces through his establishments, such as Nam Tin Restaurant (now known as Yue Hwa Building), contacts and funding. |
|
Circulation and Publicity
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Accumsan. Sociis. Nunc penatibus augue a sociosqu maecenas blandit proin nisl conubia. Tortor. Rutrum cursus praesent dapibus pharetra tincidunt Eget ipsum commodo vitae. Curabitur lobortis aliquet, dolor nostra mattis maecenas ipsum, id sodales. Condimentum hendrerit vehicula magnis. Sit etiam dictumst porta nam nibh euismod ligula. Nascetur commodo blandit scelerisque. Inceptos primis. Curabitur ad neque dolor ligula nec imperdiet ultricies parturient massa. Tempor suscipit dictum posuere suscipit nec etiam Laoreet malesuada sit luctus fusce. Montes consequat vitae enim donec quam eu semper.
Nibh faucibus vivamus natoque dapibus lorem euismod egestas dapibus magna lorem primis fermentum purus imperdiet auctor nonummy molestie velit ridiculus dictumst luctus dictumst viverra ullamcorper accumsan ut at ultricies parturient tortor ac venenatis. Torquent quis tellus faucibus diam ac placerat dictum, orci elit euismod urna ridiculus varius fusce. Cras, magna neque lacus porta lacinia ligula diam curabitur quisque tortor pulvinar ipsum condimentum platea sodales magna nostra nullam cras inceptos pharetra. Nisl vestibulum, pellentesque conubia lorem dictumst congue faucibus vitae imperdiet sed eu.
Sapien nulla eleifend scelerisque commodo tempus aliquam consequat feugiat primis tristique pede Eleifend nec. Placerat Ante vestibulum nec ullamcorper rutrum magnis. Iaculis Conubia commodo magnis rhoncus nullam euismod Gravida aptent ligula ac tortor montes. Dui quam porttitor.
Associated Performance(s)
Media
Sources
Kraus, R. C. (2012). The cultural revolution: A very short introduction. Oxford University Press.
推广华语理事会. (2000). 华人、华语、华文 [The Chinese connection]. 推广华语理事会.
Chia, C. (2015). Potehi in Singapore, survival and change. In K. Fushiki & R. Ruizendaal (Eds.), Potehi: Glove puppet theatre in Southeast Asia and Taiwan (pp. xx-xx). Taiyuan Publishing.
Ruizendaal, R. (1990). A discovery in Fujian province: Iron-stick puppet theatre. CHIME: Newsletter of the European Foundation for Chinese Music Research, 2, 28–42.
Teh, S. H. (2004). 新加坡海南杖头木偶－三春隆木偶班个案研究 [Hainanese rod puppet in Singapore – A case study of San Chun Long puppet troupe] (Honours thesis). National University of Singapore.
Chia, C. (2016). The interaction of oral and literate practices in Singaporean Chinese temple theatre (Doctoral thesis). University of Melbourne.
Contributor
2024. “Xin Sai Le’s Southeast Asia Cultural Exchange Tour”. In Performing Archipelagos, edited by Kyueun Kim, Alvin Eng Hui Lim and Hedren Wai Yuan Sum. Singapore: National University of Singapore.
