About
Active Period
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Genre
Bangsawan
Subgenre
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Geographic Location
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About
No information recorded.
Genre
Bangsawan
Language
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Tour (isPartOf)
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Production (isPartOf)
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Festival (isPartOf)
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Ritual (hasRitual)
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Showtimes and Venues
| Date | Time | Frequency | Venue |
|---|---|---|---|
| From 2-Jul-1904 | – | – | – |
Schedule
| Running Order | Schedule Item | Type | Date and Time |
|---|---|---|---|
| – | – | – | – |
Person and Troupe
Performer (isPerformedBy)
| Name | Type | Role in Performance | |
|---|---|---|---|
| No performer information recorded. | |||
Collaboration (hasCollaboration)
| Performer (collaborateWith) | Purpose |
|---|---|
| – |
Support (hasSupport)
| Supporter Name | Type of Support | Support Description |
|---|---|---|
| No support information recorded. | ||
Theme and Style
Theme
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Artistic Style
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Performance Elements
Textual Object (hasElement)
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Symbolic Object (hasElement)
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Staging (hasElement)
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Music (hasElement)
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Movement and Gesture (hasElement)
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System (hasElement)
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Experience (hasInfluence)
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Context
Context Description
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Evolution (affects)
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Media
No media recorded.
Sources
Times of Malaya, 2 July 1904
Contributor
Last Updated on:
January 19, 2026 at 5:41 pm
Contributors:
Roweena Yip
To Cite:
, and Yip, RoweenaRoweena Yip.
2026. “Gennfifah”. In Performing Archipelagos, edited by Kyueun Kim, Alvin Eng Hui Lim and Hedren Wai Yuan Sum. Singapore: National University of Singapore.
Person
Global Entertainment Circuits and Touring Variety
Music — Western Classical
Australasia and the Pacific (1900 onwards)
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Global Entertainment Circuits and Touring Variety
Martial Arts Performance or Exhibitions — Boxing
Independent Singapore (1965 onwards)
1965–1975: Singapore's Independence and Cold War SEA
Performance
Colonial and Empire Networks
Theatre — English Language Theatre
Theatre — Shakespeare
Federation of Malaya (1948-1963)
1945–1959: Malaya and Singapore: Postwar Transition and Reform
Troupe
Colonial and Empire Networks
Music — Bagpiping
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
1914–1918: First World War
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Tour
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Colonial and Empire Networks
Theatre
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony