About
Active Period
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Genre
English theatre, Tragedy
Subgenre
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Geographic Location
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About
‘Mrs Deacle has the honor to announce that on Monday next the 26th instant, will be performed Shakespeare’s Tragedy of Macbeth (without the choruse’s) being the last Tragedy, that will be represented during Mrs Deacle’s stay at Singapore.
Macbeth.
Dramatis Personae.
Duncan (King of Scotland)……Edward.
Malcolm……Hector.
Macbeth……Shylock.
Macduff……Lenville.
Banquo……Kenwig.
Fleance……Theodore.
Lennox……Spinado.
Seyton……Seymour.
Physician……Renault.
Lords Attendents Soldiers &c……Amateurs.
Lady Macbeth……Mrs Deacle.
The whole to conclude (by particular desire) with the laughable farce of The Dead Shot.
Dram. Pers.
Captain Cannon……Kenwig.
Frederick……Edward.
Mr Wiseman……Wigler.
Hector Timid……Hector Timid.
Louisa Lovetrick……Mrs Deacle.
Chatter……Miss Glavonelly.
Genre
English theatre, Tragedy
Language
English
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Festival (isPartOf)
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Ritual (hasRitual)
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Showtimes and Venues
| Date | Time | Frequency | Venue |
|---|---|---|---|
| From 26-Aug-1844 to 26-Aug-1844 | From 19:00 | – | – |
Schedule
| Running Order | Schedule Item | Type | Date and Time |
|---|---|---|---|
| – | – | – |
Person and Troupe
Performer (isPerformedBy)
| Name | Type | Role in Performance |
|---|---|---|
| Mrs Deacle | Person | Actor – Lady Macbeth |
Collaboration (hasCollaboration)
| Performer (collaborateWith) | Purpose |
|---|---|
| – |
Support (hasSupport)
| Supporter Name | Type of Support | Support Description |
|---|---|---|
| No support information recorded. | ||
Theme and Style
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Music (hasElement)
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Experience (hasInfluence)
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Context
Context Description
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Evolution (affects)
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Media
No media recorded.
Sources
- The Singapore Free Press and Mercantile Advertiser (1835-1869), 22 August 1844, Page 1. https://eresources.nlb.gov.sg/newspapers/digitised/article/singfreepressa18440822-1.2.2.3
- Review: The Singapore Free Press and Mercantile Advertiser, 29 August 1844, Page 2. https://eresources.nlb.gov.sg/newspapers/Digitised/Article/singfreepressa18440829-1.2.12.10
Contributor
Last Updated on:
January 23, 2026 at 3:51 pm
Contributors:
Alvin Lim
To Cite:
, and Lim, Alvin Eng HuiAlvin Eng Hui Lim.
2026. “Macbeth and The Dead Shot”. In Performing Archipelagos, edited by Kyueun Kim, Alvin Eng Hui Lim and Hedren Wai Yuan Sum. Singapore: National University of Singapore.
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Tour
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Colonial and Empire Networks
Theatre
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Troupe
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
1959–1963: Singapore Self-Governance and Malaya Independence
Up till 1895: British Colonial Consolidation
Festival
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
Up till 1895: British Colonial Consolidation
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Support
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
1911–1912: Xinhai Revolution