About
Active Period
—
Genre
Bangsawan
Subgenre
—
Geographic Location
—
About
No description recorded.
Genre
Bangsawan
Dates
Birth Date:
–
Death Date:
–
Last Active Date (Active Till):
–
Debut Date (Active From):
–
Troupe Role (hasRole)
| Role Title | Role Description |
|---|---|
| No troupe role information recorded. | |
Kinship and Relationship
| Person Involved | Kinship Type | Kinship Role | Other Kinship Role |
|---|---|---|---|
| No Kinship and Relationship information recorded. | |||
Character (performed)
| Character | Type | Description |
|---|---|---|
| – | – |
Other Work (hasWork)
| Work Title | Work Type | Work Description |
|---|---|---|
| No other work information recorded. | ||
Routes
| Departure Date | From | Arrival Date | To | Via |
|---|---|---|---|---|
| No routes information recorded. | ||||
Support (hasSupport)
| Supporter Name | Type of Support | Support Description |
|---|---|---|
| No support information recorded. | ||
Associated Performance(s)
No associated performance recorded.
Media
No media recorded.
Sources
No source recorded.
Contributor
Last Updated on:
January 30, 2026 at 3:33 pm
Contributors:
Charleston Chan
To Cite:
, and Chan, CharlestonCharleston Chan.
2026. “Zainelabidin“. In Performing Archipelagos, edited by Kyueun Kim, Alvin Eng Hui Lim and Hedren Wai Yuan Sum. Singapore: National University of Singapore.
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Tour
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Colonial and Empire Networks
Theatre
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Troupe
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Venue
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
1959–1963: Singapore Self-Governance and Malaya Independence
Up till 1895: British Colonial Consolidation
Festival
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Teochew opera or Chaoju
Dance — Ronggeng
Theatre — Chinese Opera or Wayang or Xiqu
British Malaya (1826-1941)
Postwar pre-independent Singapore (1945-1963)
1867-1941: Straits Settlements as Crown Colony
1945–1959: Malaya and Singapore: Postwar Transition and Reform
Up till 1895: British Colonial Consolidation
Performance
Diasporic Identities and Intercultural Encounters
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
Support
Archipelagic Agents
Chinese Opera or Wayang or Xiqu — Cantonese opera or Yueju
British Malaya (1826-1941)
1867-1941: Straits Settlements as Crown Colony
1911–1912: Xinhai Revolution